Alan Tudyk’s and Nathan Fillion’s encounter with Justin Bieber at the Halo 3 release party (x)
Screencheat is a two to four player first-person shooter where everyone is invisible and the only way to eliminate your enemy or win the match is by screen cheating - as in looking at your enemies side of the screen to know where they are and hunting them down.
Screencheat is certainly a unique FPS in today’s gaming world where every shooter is almost of the same concept but with a different theme to them. Taking inspirations from classic competitive FPS games like Goldeneye, Perfect Dark, and Halo, it’s looking to be an extremely fun and competitive game with a big (invisible) twist.
I can’t believe we are getting to the era of post-genres in gaming
What’s post-RTS going to be, you can only build your opponents units?
Either way i’m interested in where people can take them
this is so stressful to me i would get so frustrated playing this
i love it
When airport employees get bored
Rebloging for the last 2 panels
Reblogging this for the last two panels
I DIDN’T SEE THAT COMING, OHMYGOD
Dwarf Fortress bug fixes are a goldmine
A Sister More Like Me - Pages 15-30
Order it Here: http://amzn.to/JvJjId
Why would you think that? I think the final page is absolutely clear on Wanda’s gender. And I hope the story is too.
Mostly, I found a lot of the stuff I was seeing in the late 80s from some feminist quarters really offensive, seeing them dismiss trans women as not real women, and decided that I wanted to put those attitudes into the story, which, from the title on, was about identity and how we create our own. So yes, there are god-like things in Sandman who do not see Wanda as a woman, just as Wanda’s family back in Kansas are not able not see her as a woman, but then, the narrative in Sandman is pretty clear that god-like things are just as likely to be screwed up, wrongheaded and mistaken as anyone else in the story. Wanda’s attitudes and responses to the Gods in the story are mine, although said much more pithily than I would have.
If I were writing it today, rather than in 1989, when there weren’t any Trans characters in comics, it would be a different story, I have no doubt. But that was the story I wrote in 1989. I got a fair amount of hate mail for putting a trans character in a mainstream comic, and I’m still proud of it, and of Wanda.
this is such a self-congratulatory retcon it disgusts me. when you write force majeure into your story and make it do value judgments, what in fuck’s name do you think people are going to take as the last word on a point of contention
also “there weren’t any trans characters in comics” maybe not the ones you and your boys’ club were writing you smug little shit
I suppose it would be a retcon if, back in 1990, in interviews, I had been saying “Yes, I know what Wanda says, but in this case the reader for once in Sandman is expected to think that things that characters say, even ones who have died and had their faces nailed to a wall, are true things, or that they have the whole picture”. But I wasn’t saying that then - I was, when asked and when interviewed, saying exactly the same stuff about Wanda and the gods 24 years ago as I am now.
I think, or at least I hope, that what the characters will take away as the last word is the penultimate image on the last page of Game of You, of Wanda with Death, in Barbie’s dream, as a woman, because of all the characters in Sandman, Death is the only one whom we can rely on.
HARRIET TUBMAN ESCAPED FROM SLAVERY AND THEN WENT BACK TO GET OTHERS. LIKE, I KNOW YOU KNOW WHO HARRIET TUBMAN IS AND THAT SHE DID THAT, BUT I JUST WANT YOU TO TAKE THAT IN FOR A SECOND.
HARRIET TUBMAN WAS HELD CAPTIVE AND BOUND TO UNPAID, BACK-BREAKING LABOR SINCE BIRTH…